Throw in a chapter specific to the SB800/600 and charge more EF writes: Having been a long-time F5 user, I can offer the following regarding one aspect of the F6 in which Nikon did not include some very useful functionality from the F5.
#NIKON F6 ROCKWELL MANUAL#
Roger Hicks, has said quite often that although there is a quality threshold in photographic kit, its actually not that high. The F6 manual isnt as bad as some Nikon efforts, but your F100 guide was my bible. Really, there is one reason and one alone for buying expensive photo gear, and that is that it should truly do something for you that cheaper options can't or won't - be that in performance terms, or ruggedness, or whatever. If you rarely use apertures wider than f/5.6, why shell out for that?
#NIKON F6 ROCKWELL PRO#
YMMV.Ī pro would buy the expensive lens because its better made, so will cope with the rough and tumble it will undoubtedly receive much better than a plastic lens: If you don't need that kind of sturdiness, why pay for it?Ī pro would buy the expensive lens because they might well need a lens that will perform at top standard at or close to widest aperture. So ultra-critical quality may not enter into his sphere, so far as digital goes. If you were to do a bit more reading on Rockwell's site you might happen upon his statement that he uses Large Format and film for all his really important landscape photography, not digital. Color Matrix Metering works with non-CPU AI-type Nikkor lenses. Nikon FE Users Guide - Ken Rockwell View and Download Nikon FE instruction manual online. Improved 3D Color Matrix Metering with 1005-pixel RGB sensor. Time runs from top to bottom, and Ive grouped rows of cameras. At the far right are the basic barebones mechanical-only SLRs. As you move to the right youll see prosumer then consumer models. On the left is the professional line (F3 through F6).
#NIKON F6 ROCKWELL ISO#
Reading between the lines I reckon he's saying that for him the 18-55mm was a much better purchase because (i) he doesn't feel he needs the f/2.8 maximum aperture, preferring to use a slower lens and crank up the ISO rating, (ii) its a whole heap lighter for carrying round, and (iii) at middling apertures you probably would need to be fairly critical to see much if any difference between the cheap zoom and its expensive brother. 11-area Wide-Area AF with 9 cross-type sensors (Multi-CAM2000 AF module) Choice of four AF Area modes, including Group Dynamic AF. The above chart shows the general relationships between the more recent Nikon film SLRs.
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